| First Assitant Director | Patrick Tidy
|
| Casting Conultant | Deirdre Bowen
|
| Script Supervisor | Lisa Burling
|
| Camera Operator | Derek Rogers
|
| First Assistant Camera | Andy Jekabsons
|
| Second Assistant Camera | Dany Chiasson
|
| Special make-Up & Physical Effects |
Louise Mackintosh |
| Ray Mackintosh
|
| Russel Cate |
| Mechanical Effects | JJamb
|
| (Door)
| Monica Babic |
| John Jackson |
| Ion Dumitrescu
|
| Costume Designer | Wendy May Moore
|
| Wardrobe Mistress | Tamara Rigby-Funke
|
| Make-Up & Hair Design | Louise Mackintosh
|
| Make-Up and Hair | Susann Greenwood
|
| Additional Make-Up & Hair | Patty White
|
| Hair Consultant | Cheryl Ross
|
| Props Master | Gene Alexander
|
| Wardrobe Graphic Designer | Madelaine Vieira
|
| Gaffer | Jeremy Hudspith
|
| Best Boy | Michael Yaremchuk
|
| Electrics | Stephanie Buchman
|
| Scott Craven |
| Edmond Kopp |
| Jim Young |
| Key Grip | Kevin Richter
|
| Best Boy Grip | Hugh Hardy
|
| Grips | Sandor Ajzenstat
|
| Don Irvine |
| Bryan Myatt |
| Craig Semenuk |
| Barb Sniderman
|
Daily Grips |
Jason Capstick
Michael Carry
Jeff Orr
Chris Toudy
|
| Sound Recordist | Steve McNamee
|
| Boom Operator | Jeff Wachsmann
|
| Second Boom Operators | Dana Kearns
|
| Bryan Myatt |
| Second Assistant Director | Deborah Kiss
|
| 2nd Second Assistant Director | Jill Girling
|
| Contsruction Head | Joe Madziuk
|
Head Carpenter |
Brian Fowler
|
| First Assistant Carpenter | Hubert Peddle
|
| Daily Carpenters | Luke Ballon
|
| John Cameron |
| Bob Ceh |
| Mike Fearnall |
| Lino Frutti |
| Rod James |
| Brian Jones |
| Marty Kay |
| Allan MacIssac
|
| Raoul Martinez
|
| Jesse O'Conner
|
| John Rice |
| Grant Rowland |
| Cathy Smith |
| Doug Stensrud |
| Susan Tanton |
| Steve Willets |
| Production Accountant | Nick Seary
|
| |
| Stills Guy | Michael Gibson
|
| Additional Stills Photographer | Sophie Giraud
|
| |
| Unit Publicist | Rob Kingston
|
| |
| Production Co-ordinator | Deborah Kiss
|
| Production Secretary | Linda Darras
|
| Daily Script Supervisor | Pat Joyes
|
| Camera Trainees | Paul Gentlemen
|
| Juliet Wintrobe
|
| |
| Third Assistant Director | Sarah Jarvis
|
| Trainee A.D.'s | Samuel Lee
|
| Jae Pak |
| First Assistant Art Directors | Anastasia Masaro
|
| Greg Sigurdson
|
| Andrew Rucklidge
|
| On Set Props | Evelyn Mitsou
|
| Dana Kearns |
| Art Department Assistants | Peter Atto
|
| Mario D'Amaral
|
| Darren Doyle |
| Jane Kim |
| Sue Mohatedin |
| Mark Newman |
| Jamie Williamson
|
| |
| Scenic Painters | Cheryl Ladrillo
|
| Susan E. Tanton
|
| |
| Stunt Co-ordinator | John Stoneham Jr.
|
| Stunt Doubles | Rebecca Moore
|
| Regan Moore |
| |
| Math Consultant | David W. Pravica
|
| |
| Craft Services | Kevin Chassie
|
| On Set Craft | Marie Vepsalainer
|
| Lisa Jackson |
| |
| Catering | Amazing Foods
|
| By David's |
| One Hour For Lunch
|
| |
| Key Nurse On Set | Patty White
|
| Nurses | Michelle Howes
|
| Kim Kurchinsky
|
| Leonard Rose |
| |
| The Door Doctor | William Philips
|
| |
| Graphic Engraving | Dimensional
|
| 2ND UNIT |
| Director | Oscar Fenoglio |
D.O.P./Camera Operator |
Scott Smith
|
| |
| First Assistant Director | Sarah Jarvis
|
| First Camera Assistants | Patrick McGowan
Mark McLean
|
| Second Camera Assistants | Mathew Brookes
Kevin P. O'Rourke
|
| Grips | Todd Moore |
| Brad Hopkins |
| Paul Howden |
| Mark Ryan |
| Production Assistant | Liz Wolfe
|
| |
| Consulting Picture Editor | Steve Weslak
|
| Associate Editor | Wiebke von Carolsfeld
|
| First Assistant Editors | Rob MacKinnon
|
| Geoff Tunnard |
| Second Assistant Editors | Mark Stokes
|
| Apprentice Editors | Jason PJ Deschampes
|
| Elizabeth E. Bailey |
| Davina A. Bailey |
| Chuck Kahn |
| |
| Video Colorist | Debbie Holland
|
| Video Sync Transfers | Becky Slocombe
|
| |
| Digital Animators | Emily Roach
|
| Yves Therrien |
| |
| Digital Artists | Brian A. Smeets
|
| Moris Molino |
| Ralph Sevazlian |
| David Willows |
| Derek Grime |
| |
| Digital Paint Artists | Tracey Vaz
|
| Claude Theriault |
| |
| Systems Guy | Costa Roussakis
|
| |
| Digital Effects Producers | Stephen Segal
|
| Lisa Bechard |
| |
| Re-Recording Mixers | Todd B. Warren
|
| Darcey Kite |
| Peter Kelly |
| |
| Mix Operators | Mark Zsifkovits
|
| Brad Thornton |
| |
| Dialogue Editor | Sue Conley
|
| |
| Assistant Dialogue Editor | Colin Woods
|
| |
| Sound Effects Editing | Steve Barden
|
| Craig Henighan |
| Jill Purdy |
| |
| ADR Editor | John Laing |
| |
| ADR Assistant Editor | Mishann Lau
|
| ADR Re-Recorder | Greg Schim
|
| |
| Foley Artist | John Sievert
|
| Virginia Storey |
| Michelle Schubert |
| |
| Foley Recordist/Operator | Darcey Kite
|
| Walter J. Grabowski |
| Keith Elliott |
| |
| Post Production Facility | SOUND by deluxe
|
| Production Laboratory | COLOR by deluxe
|
| |
| Colour Timer | Frank Leone |
| |
| Negative Cutter | Catherine Rankin Productions
|
| |
| Music Samples from | "Distorted Reality" (FSPECTRASONICS)
|
| & "David Torn" (Q UP APTS)
|
| |
| Production Guarantor | Motion Picture Bond Company Ltd.
|
| |
| Insurance | Thompson, Thompson Entertainment
|
| Insurance Brokers |
| |
| Production Auditor | KPMG |
| |
| Legal Services | McMillan Binch
|
| Lawyers | Doug Barret |
| Diana Cafazzo |
| Title Search and Clearance | Pearce Research Associates
|
| |
| Dennis Angel |
| |
